Barrett Marsden Gallery
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Caroline Broadhead

Caroline Broadhead‘s practice brings the unusually autonomous areas of jewellery, textiles and performance art into close relationship. For some years now she has used garments to express ideas about personal identity and to reveal the characteristic feelings or emotions that a person may seek to conceal. In recent works, shadows have become an integral part of the work. "Study for Grey Areas" is a suspended dress with a white shadow while in "back to the wall", the painted shadows of the thirteen dresses change gradually from black to white while the colour of the dresses turn from white to black.

Born in 1950, Broadhead trained at the Central School of Art and Design, London. Public collections that hold examples of her work include the Stedelijk Museum, Amsterdam; the Museum of Modern Art, Kyoto; and the Victoria and Albert Museum, London. She was the winner of the Jerwood Prize for Applied Arts: Textiles in 1997.


previous exhibitions

13 October to 11 November 2006


publications

Please click Publications for a list of illustrated exhibition leaflets and other related literature available from Barrett Marsden Gallery

limited editions

please see newly launched limited editions by Barrett Marsden Gallery artists



email: info@bmgallery.co.uk

link to collections

Crafts Council Collection, London

space
No. 1 Neckiece No. 2 Neckiece

click on image to see larger version

over to you 1 over to you 2 over to you 3
Proposal for a space
Exchange of Views
Proposal for a wall
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gordon baldwin | alison britton | caroline broadhead | ken eastman | philip eglin | maria van kesteren | chun liao | robert marsden | carol mcnicoll | sara radstone | nicholas rena | michael rowe | richard slee | martin smith | emma woffenden

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